|
ID |
Image |
Painting (From A to Z) |
Details |
|
27370 |
|
Saint anthony of padua in prayer |
mk56
oil on canvas
Francesco Daggiu,called il Capella
|
|
44866 |
|
Saint Barbara |
mk176
c.1438
|
|
75214 |
|
Saint Bason |
Date 19th century
Medium Oil on panel
Dimensions 55.5 X 47.5 cm (21.9 X 18.7 in)
cyf |
|
41808 |
|
Saint Boris and Saint Gleb |
mk165
History and Architecture Museum
Novgorod
|
|
41809 |
|
Saint Boris and Saint Gleb and Scenes from their Lives |
mk165
c.1350
Tempera on panel
134x89cm
|
|
41888 |
|
Saint Boris and Saint Gleb and Scenes from their lives |
mk165
Moscow School
91x71cm
|
|
69637 |
|
Saint Bras |
oil on panel painting by the Master of the Saint Bras |
|
27535 |
|
Saint catherine |
mk56
oil on canvas,unframed
Circle of Pietro Dadini
|
|
74332 |
|
Saint Cosmas and Saint Damian Crucifixed and Stoned |
Saint Cosmas and Saint Damian Crucifixed and Stoned
Tempera on wood, 38 x 46 cm Alte Pinakothek, Munich
Date 1438-40
cyf |
|
74329 |
|
Saint Cosmas and Saint Damian Salvaged |
Description Angelico, predella dei santi cosma e damiano da pala di san marco, salvataggio.jpg
Saint Cosmas and Saint Damian Salvaged
Tempera on wood, 38 x 45 cm Alte Pinakothek, Munich
Date 1438-40
cyf |
|
41826 |
|
Saint Demetrius of Thessalonica |
mk165
Icon Museum
Recklinghausen
Germany
|
|
73413 |
|
Saint Dmitry Solunsky Church in Old Ladoga |
Saint Dmitry Solunsky Church in Old Ladoga
cyf |
|
41800 |
|
Saint George |
mk165
Egg tempera on lime wood
174x122cm
|
|
41907 |
|
Saint George |
mk165
National Art Museum of Ukraine
Kiev
|
|
41838 |
|
Saint George iwth Horse and Scenes from his life |
mk165
The State Russian Museum
|
|
41799 |
|
Saint George Slaying the Dragon |
mk165
114x79cm
|
|
41909 |
|
Saint George Slaying the Dragon |
mk165
National Museum of Art of Romania
|
|
30400 |
|
Saint George Slaying the Dragon,from Breviary of john the Fearless |
mk68
Manuscript illustration
London
British Library,
|
|
75099 |
|
Saint Hugh of Lincoln |
Altarpiece from the Carthusian monastery of Saint-Honore, Thuison-les-Abbeville, France, depicting Saint Hugh of Lincoln with his swan
cjr |
|
41804 |
|
Saint Jerome |
mk165
1482
Tempera and oil on wood
103x75cm
|
|
27321 |
|
Saint jerome in an extensive rocky landscape |
mk56
oil on panel
|
|
27320 |
|
Saint jerome in penitence |
mk56
Follower of Joachim Patinir second quarter of the 16th Century
Oil on panel
|
|
27512 |
|
Saint jerome in the wilderness |
mk56
oil on canvas
|
|
41840 |
|
Saint John Chrysostom |
mk165
93x50cm
From the Church of the Exaltation of the Holy Cross
|
|
72443 |
|
Saint John Nepomuk |
Date 18th century
Medium Oil on paper mounted on canvas
Dimensions 24.1 X 18.4 cm (9.49 X 7.24 in)
cyf |
|
41805 |
|
Saint John the Baptist |
mk165
Egg tempera on plaster on wood
87.5x66cm
|
|
41841 |
|
Saint John the Baptist |
mk165
93x50cm
From the Church of the Exaltation of the Holy Cross
|
|
27428 |
|
Saint john the baptist preaching |
mk56
oil on canvas
Follower of Frans Francken the Younger
|
|
41885 |
|
Saint John the Precursor |
mk165
Angel of the Desert |
|
41884 |
|
Saint John the Precursor in the Desert |
mk165
Moscow
From the Chudov Monastery of Moscow Kremlin
|
|
65257 |
|
Saint Ladislaus, King of Hungary |
1600 Oil on wood, 103 x 101,3 cm Hungarian National Gallery, Budapest Of the Hungarian kings St Ladislas is perhaps the one most often represented in post-medieval frescoes, altar paintings and statues. In the Middle Ages he was associated with the ideal of chivalry and the legends which gathered around him determined the manner of his representation. Thus the knightly armour and the battle-axe have become permanent attributes, in addition to the crown and the orb. The painting illustrated here, dating from the late sixteenth century, is only superficially linked with medieval portraits of St. Ladislas. The king is shown seated on a throne wearing an ample, richly embroidered cloak studded with pearls round the hem. In the foreground is a voluted and foiled shield with the national emblem, stylized in harmony with the throne. The background is designed to suggest the interior of a Renaissance palace. Through opening on either side of the wall behind the throne - draped with embroidered hangings - there is a view of landscape. A similar motif was often used to fill in the background in north Italian Madonna paintings of the fifteenth and sixteenth centuries. The monochrome landscape on the left is a topographic reference to one of St. Ladislas' most important church activities, the foundation of the Cathedral in Nagyv?rad, while the one on the right shows his legendary defeat of the Cumanian abductor. This evocation of two popular episodes from the story of the king's life is intended partly to identify St. Ladislas as a rule of worldly power, and partly to indicate the ideal unity of the Christian king and the Christian knight. St Ladislas is shown as a historical personage, without a halo - a fact indicating that the painting was destined for a secular building. The episodes from the king's life or, to be mere accurate, from legends associated with his name, are treated as historical facts. The same approach characterized the series of prints of royalty and other notabilities which became so popular all Europe in the course of the sixteenth century. It may be assumed that such prints served as models for the painted portrait of St. Ladislas and the two related pictures of St. Stephen and St Emeric. Artist: UNKNOWN MASTER, Hungarian , Saint Ladislaus, King of Hungary , 1551-1600 , Hungarian , painting , religious |
|
87635 |
|
Saint Lawrence crowned by Baby Jesus, Claude de Jongh |
oil on canvas, 1634
cjr |
|
42952 |
|
Saint Lawrence Showing the Prefect Decius the Treasures of the Church |
mk170
circa 1510
Oil n canvas
130.292.7cm
|
|
27516 |
|
Saint lawrencejustinian adoring the christ child |
mk56
oil on canvas
Luca Giordano,called Fa Presto,and Studio
|
|
77761 |
|
Saint Luke painting the Virgin and Child |
Oil on oak
34.9 cm (13.7 in). Height: 113.7 cm (44.8 in).
cjr |
|
41794 |
|
Saint Luke theEvangelist Painting the Ico of the Virgin |
mk165
45X36cm
The State Tretyakov Gallery
Moscow
|
|
58147 |
|
Saint Luo Suolai halidom box bust |
mk261 Pisa, St. Matthew's Museum |
|
41904 |
|
Saint Macaire Ounjenski with Scenes from his life |
mk165
Kostroma region
Russia
|
|
30380 |
|
Saint Mark Arriving in Venice |
mk68
Mosaic
Venice
Saint Mark's Basilica
c.1200-1300
|
|
38398 |
|
Saint Martin and the Beggar |
c. 1490
Tempera on wood, 101,5 x 89,5 cm
Hungarian National Gallery, Budapest |
|
38399 |
|
Saint Martin and the Beggar |
c. 1490
Tempera on wood, 88 x 91 cm
Hungarian National Gallery, Budapest |
|
76447 |
|
Saint Mary Magdalene at her writing desk |
16th century
Dimensions 39 ?? 27 cm (15.4 ?? 10.6 in)
cyf |
|
27513 |
|
Saint matthew |
mk56
oil on panel,unframed
|
|
41798 |
|
Saint Nicholas |
mk165
Icon Museum
Recklinghausen
Germany
|
|
41868 |
|
Saint Nicholas of Myra |
mk165
Church of Saint Nicholas From the Riverbank
|
|
79891 |
|
Saint old man in a white habit. |
1630s
Oil on canvas
98.5 x 71 cm (38.8 x 28 in)
cjr |
|
63952 |
|
Saint Onufri |
1637 Oil on canvas The Hermitage, St. Petersburg Ribera studied in Francisco Ribalta's workshop in Valencia, but when still young he went to Naples, then under Spanish rule, where he worked for the rest of his life. He was called there as Lo Spagnoletto. He obtained most of his commissions from the Spanish Viceroy and his entourage, but he also completed a good many paintings for the churches of the city. The influence of Caravaggio was felt throughout southern Italy and there can be little doubt that Ribera was the artist with the strongest and most independent personality of all his followers. Ribera represented crude reality boldly and without embellishment. The construction of his pictures is monumental and he reveals a strong sense of drama, empahasized by means of strongly contrasting light and shade. The poor inhabitants of Naples and the peasants of southern Italy were his models, and he depicted them without flattery or idealization as enormous figures clothed in rags. The painting of Saint Onufri also shows the influence of Caravaggio. , Artist: RIBERA, Jusepe de , Saint Onufri , 1601-1650 , Spanish , painting , religious |
|
41856 |
|
Saint Parasceve Piatnisa |
mk1465
Saint Gregory the Theologist
Egg tempera on pine panel
147x134cm
|
|
41769 |
|
Saint Peter |
mk165
Saint Catherine Monastery
Egypt
|
|
41864 |
|
Saint Peter and Saint Nicholas |
mk165
Church in the village of Astafevo
|
|
75665 |
|
Saint Roch Cemetery Chapel and Campo Santo |
"Saint Roch Cemetery Chapel and Campo Santo". 1917 painting of St. Roch Cemetery, New Orleans, by Robert Wadsworth Grafton.
cjr |
|
41787 |
|
Saint Sergius and Saint Bacchus |
mk165
Museum of Western and Oriental Art
|
|
27534 |
|
Saint stephen |
mk56
oil on copper,oval
|
|
41874 |
|
Saint Theodore Stratelates |
mk165
1570
Parish Church
Kalbensteinberg
Germany
|
|
71826 |
|
Saint Thomas |
Saint Thomas. Oil on canvas, 65 x 54 cm.
|
|
73087 |
|
Saint Thomas |
Oil on canvas, 65 x 54 cm
cyf |
|
27436 |
|
Saints augustine and hubert burning incense at an altar |
mk56
oil on canvas
School of Augsburg,16th Century
|
|
42688 |
|
Saints hindus |
MK169
ca. 1625 Paint on paper
23.8x15.2cm |
|
49770 |
|
Sallskaplig in hose dar he am spending grand component of its days |
mk204
|
|
78313 |
|
Salome mit dem Haupt Johannes des Taufers |
"Salome mit dem Haupt Johannes des Täufers". Öl auf Leinwand, 160 x 124,5 cm.
Date ca. 1760(1760)
cjr |
|
79833 |
|
Salome mit dem Haupt Johannes des Taufers |
1600-1605
Oil on panel
94 x 71 cm
cjr |
|
75223 |
|
Saloninterieur |
Date 1886(1886)
Medium Oil on canvas
Dimensions 78 x 62 cm
cyf |
|
41261 |
|
Saltcellar |
mk161
|
|
49742 |
|
Sambre |
mk203
bollandsk fregatt pa kanoner,sadan the framstalls of Roux,har one white tie millings pa frame with black gaps and bergbult as am breeding a effect of brostvarn and gor that frame forefaller langre. |
|
49720 |
|
Same vessel am exposing sits imposing akterkastell |
mk203
as am failing building up with three dack The superb abaft did not be exclusively to lyxandamal,utan a nodvandigbet in order to fa place with inredning ago officer. |
|
61234 |
|
samtida malning av branden i london 1666 |
mk274 till hoger lgses towern upp av elden och i mit ten star st pauls kate dralen i lagor. |
|
61316 |
|
samtida malning av cafe grien steidl ett favort tillhall for bland andra det litterara jung wien |
mk274 samtida malning av cafe grien steidl ett favort tillhall for bland andra det litterara jung wien |
|
62409 |
|
San Bruno |
Madrid Author: PEREYRA, Manuel Title: San Bruno , 1601-1650 , Portuguese Form: sculpture , religious |
|
61327 |
|
san gabriel |
mk274 missionsstation och jordbrukskoloni grndad av franciskaner fran mexico ligger nui det centrala los angeles. malning fran 1822. |
|
42001 |
|
San Ildefonso receiving the chasuble |
mk166
Final of the fifteenth century. Painting on wood 230x167cm |
|
56882 |
|
San Sebastian angle of the system still life of Thomas |
mk250 Year in 1653. Oil painting on cloth, about 84 x 99 cm. National Gallery in London. |
|
73477 |
|
San Vicente de Zaragoza in jail. Anonymous author, |
San Vicente de Zaragoza in jail. Anonymous author, Francisco Ribalta school. XVIIth century.
cjr |
|
53448 |
|
Sancta Lilias |
mk231
1874
Oil on canvas
|
|
59847 |
|
sandviksfjorden |
mk269 1879 ola pa duk, 54.5 x 81.5 cm nationalmusum stockholm |
|
71068 |
|
sanson et dalila |
mk289 vers 1609 londres national gallery |
|
38322 |
|
Santa Barbara |
mk136
Oil on canvas
about 1680-90
|
|
58173 |
|
Sao Paulo |
mk261 wooden egg tempera, 131 x 42.5 cm Florence Mo Qi Baldini Palace Museum |
|
58023 |
|
sarah jane |
mk260
sarah jane , ett portratt malat pa elfenben. hon var 30 ar,da hon gifte sig med charles john an dersson,och bara 35 ar , da hon blev anka med fya barn. |
|
50898 |
|
Sarum Antiphoner |
mk216
Oil on canvas
|
|
41883 |
|
Satin john the Baptist |
mk165
Novgorod
The State Russian Museum
|
|
35396 |
|
Savage Island Niue |
mk102
June 1774
Ink and wash with colour tinting
59x119.4cm
|
|
52763 |
|
Savonneri |
mk223
Oil on canvas
|
|
71005 |
|
Sbor nedoimok by Vasiliy Pukirev. |
1869x1870
Oil on canvas
|
|
49573 |
|
Scandal local pa 1600- digits |
mk201
Whom tva bondhustrar forsoker hamta home sina husband stamp dive |
|
48943 |
|
Scandinavian Sommarkvall |
mk187
1899-1900
Oil slick pa screen
170x223.5cm |
|
61466 |
|
scen fran den franska filmatiseringen av idioten mad edwinge feuillere som natasja |
mk275 scen fran den franska filmatiseringen av idioten mad edwinge feuillere som natasja |
|
61309 |
|
scen ur av rivhard wagenr teckning fran 1861 |
mk274 scen ur av rivhard wagenr teckning fran 1861 |
|
79030 |
|
Scene antique |
Scxne antique », French baroque painting by Pierre-Louis Cretey, oil on canvas, Musxe des Beaux-Arts de Lyon, France
cjr |
|
71043 |
|
scene au clair de lune |
mk289 collection particuliere |
|
73414 |
|
Scene from antiquity |
19th century
Oil on canvas
120.5 X 80.5 cm (47.44 X 31.69 in)
cjr |
|
75090 |
|
Scene from antiquity |
Date 19th century
Medium Oil on canvas
Dimensions 120.5 X 80.5 cm (47.44 X 31.69 in)
cyf |
|
51105 |
|
Scene from the Commedia dell'Arte |
1595-1605
Oil on canvas |
|
48493 |
|
Scene from the Historia Septem Infantium de Lara |
mk190
1612
|
|
30664 |
|
Scene from the Legend of Gazi |
mk68
Scroll painting
London,British Museum
c.1800
India
|
|
42598 |
|
Scene from the life of St. Eustachius, northern zijbeuk, cathedral of Chartres |
MK169 ca. 1210 |
|
30345 |
|
Scene from the Odyssey:Lestrygonians Preparing to Attack Ulysses's Ships,from a House on the Esquiline Hill,Rome |
mk68
c.50-40BCE
Italy
Fresco,
Vatican ,Library
|
|
71681 |
|
Scene in the White Mountains |
between 1860(1860) and 1870(1870)
Oil on canvas
40.9 x 61 cm (16.1 x 24.02 in)
|
|
73026 |
|
Scene in the White Mountains |
Date between 1860(1860) and 1870(1870)
Medium Oil on canvas
Dimensions 40.9 X 61 cm (16.1 X 24.02 in)
cyf |
|
30420 |
|
Scene of Pharmacy,from Avicenna's Canon of Medicine |
mk68
Illumination
Bologna
University Library
c.1450
Italy
|
|
64174 |
|
Scenes from the |
1440s Oil on pinewood, 54,5 x 162 and 55 x 150 cm, respectively Wallraf-Richartz Museum, Cologne This minor Cologne master painting in popular style may well have worked in the studio of the Master of 1456. This studio was responsible for another cycle with the legend of St Ursula in the St Ursula Church in Cologne, the so-called `large cycle', dated 1456. Both panels, which belong to a series of fifteen, may have been used as the lids or doors of a reliquary. It is one of the oldest known extensive Ursula cycles. Hans Memling clearly drew inspiration from these panels for similar scenes in his Ursula Shrine. , Artist: UNKNOWN MASTER, German , Scenes from the 'Small Ursula Cycle' , 1401-1450 , German , painting , religious |
